Earlier this month I got around to seeing the Alexander McQueen exhibition at the V&A. I always liked his out-there designs and I had been in two minds whether to go to this show, but having read some very good reviews I decided it was worth it.
The online advance ticket store appears to be sold out until almost the end of the run (2nd August), but there are at least 200 tickets available daily on the desk at the V&A. We turned up at about 2pm on a wet Sunday afternoon and after just a few minutes queuing got tickets for the 3.15pm slot. The entries are timed, but you have unlimited time to spend in the show, I think it’s just to try and regulate the flow of people a bit.
I’m using the word “show” quite deliberately. Exhibitions to me are inherently static things, and this is a piece of art theatre. Right from the entry room, through the several themed rooms introducing McQueen the designer, McQueen the style and the recurring themes of his collections, into the finale showpieces, the whole thing is an immersive experience of sound and video in addition to the couture pieces on show.
I certainly learnt a few things about McQueen that I didn’t know before, but mostly it was an opportunity to appreciate and marvel at the fashion he created. I was particularly taken by the jackets in one of the early rooms looking at his key design features, and by the dresses in the Highland Rape collection. The fabrics from the last complete collection, Plato’s Atlantis, were amazing as well. I resisted buying a £350 scarf from the shop in one of those prints…
Quite rightly, photography is banned so there’s no clues here – go and see for yourself!